{"title": "Panels 116, 117, and the rose pendant","images":[{"caption":"Here are panels 116 and 117 in their relative positions to each other. These will reside on the outermost base corners of the upper case and flank the union of the upper and positiv cases. ","src":"http://www.saintthomaschurch.org/uploads/photos/110.jpg"},{"caption":"These are a pair of panels # 116. ","src":"http://www.saintthomaschurch.org/uploads/photos/2._1.jpg"},{"caption":"This is one of four panel 117s. ","src":"http://www.saintthomaschurch.org/uploads/photos/310.jpg"},{"caption":"Here, Laura Seebacher is finishing the final rose pendant. There are about 24 different pendants which will be suspended 20 feet in the air and will serve as the base starting points for the columns that rise from them up the face of the organ. ","src":"http://www.saintthomaschurch.org/uploads/photos/410.jpg"},{"caption":"Laura Seebacher carving on a rose pendant. ","src":"http://www.saintthomaschurch.org/uploads/photos/510.jpg"},{"caption":"Lower wing corner brackets shown its orientation after being fitted to the case. ","src":"http://www.saintthomaschurch.org/uploads/photos/Lower_wing_corners_a.jpg"},{"caption":"A lower-wing corner carving for panel 117. ","src":"http://www.saintthomaschurch.org/uploads/photos/117_arch.jpg"}]}