Monday, April 1, 2019
7:30 pm – 9:30 pm, Saint Thomas Church
The Choir of King’s College, Cambridge, needs no introduction, having performed to audiences at Saint Thomas Church many times in the past. As arguably the most famous choir of its type in the world, and justly known for its annual broadcast of Nine Lessons and Carols on Christmas Eve, the men and boys will be touring the USA for the last time under their current Director of Music, Stephen Cleobury. Concerts at Saint Thomas is honored to have this opportunity to salute Stephen after 37 years of service, and to wish him well in his forthcoming retirement.
Thursday, April 11, 2019
7:30 pm – 10:30 pm, Saint Thomas Church
With such emotional weight, and in a perfect balance of drama and spirituality, Johann Sebastian Bach’s St. John Passion has become synonymous with Passiontide and Easter observances around the world. Daniel Hyde conducts New York Baroque Incorporated with soloists, Dann Coakwell, Sarah Brailey, Jay Carter, Mark Bleeke, and Andrew Padgett.
Monday, April 15, 2019
7:00 pm, Saint Thomas Church
Originally an improvised symphony on liturgical themes, Marcel Dupré’s Symphonie-Passion is a kaleidoscopic representation of the life of Christ in four movements; Advent, Christmas, Crucifixion and Resurrection. The symphony draws heavily on Gregorian chant and promises to show off the full range of color and power of the Miller-Scott Organ. No tickets required, donation requested.
Tuesday, April 16, 2019
6:45 pm – 7:45 pm, Saint Thomas Church
Paul de Maleingreau’s Symphonie de la Passion vividly depicts pivotal events from the Passion of Christ. The symphony draws heavily on Gregorian chant and promises to show off the full range of color and power of the Miller Scott organ. No tickets required, donation requested.
Thursday, May 9, 2019
6:00 pm – 7:30 pm, Saint Thomas Church
At an earlier-than-usual start time, New York Baroque Incorporated joins Benjamin Sheen and Daniel Hyde in a program of chamber music celebrating the Martha J. Dodge Continuo Organ and a new harpsichord recently purchased from Willard Martin. Vivaldi’s evergreen depiction of Spring sets the scene for two concerti by Handel and Bach, both of which weave tapestries of musical counterpoint for all the hands of the orchestra. An intimate early evening performance looking towards Memorial Day and the New York summer.