The Seventh Sunday Of Easter
The Seventh Sunday Of Easter
O God, the King of glory, who hast exalted thine only Son Jesus Christ with great triumph unto thy kingdom in heaven: We beseech thee, leave us not comfortless, but send to us thine Holy Ghost to comfort us, and exalt us unto the same place whither our Savior Christ is gone before; who liveth and reigneth with thee and the same Holy Ghost, one God, world without end. Amen.
Above: The head that once was crowned with thorns is crowned with glory now.
Included in this Festal Eucharist are hymns sung by the congregation and choir, additional music sung exclusively by the choir, lessons, prayers, a sermon, and a Rite I Mass. All baptized Christians are welcome to receive Holy Communion. Details of the service may be seen in the leaflet, which is posted at the bottom of this page, where you will also find links to the webcast during and after the service.
‚ñ∫If you missed the Festal Eucharist for Ascension Day, you may listen to it by going here and scrolling down to the bottom of the page.
‚ñ∫Today, immediately before the 11am Festal Eucharist, Sunday School meets for its final time before the summer break. It will resume in September. The Rector speaks about Sunday School in his weekly audio message.
Music notes: The Missa Brevis of Zolt√°n Kod√°ly (1882-1967) was originally written as an organ mass during a holiday that the composer took in Galyateto in the Summer of 1943. The composer had been asked to play the harmonium at a low mass in the church at Galyateto and, feeling that the music that he played ought to reflect the text, he made a number of sketches before the service, later converting these into the Missa Brevis for organ and choir. The subtitle of the setting, Tempore belli (Time of war), adopted from Haydn’s Mass in C major of 1796, gives a clue to the unfortunate and unusual circumstances surrounding the piece’s first performance. During the siege of Budapest, Kod√°ly and his wife took shelter in the cellars of the Opera House and it was on 11th February 1945 in one of the cloakrooms that the first performance of this version of the Mass was given by a group of the House’s principal soloists accompanied by harmonium. In 1948 Kod√°ly orchestrated the piece and it was premiered at the Three Choirs Festival in Worcester. The work shows many influences including Gregorian chant and the works of Handel, Bach, Palestrina and an organ mass by Franz Liszt dating from 1879.
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