Choral Eucharist

Sunday, November 18, 2012
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The Twenty-Fifth Sunday After Pentecost

The Twenty-Fifth Sunday After Pentecost

Almighty and everlasting God, whose will it is to restore all things in thy well-beloved Son, the King of kings and Lord of lords: Mercifully grant that the peoples of the earth, divided and enslaved by sin, may be freed and brought together under his most gracious rule; who liveth and reigneth with thee and the Holy Spirit, one God, now and for ever. Amen. (Proper 29)


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11:00 a.m.

Included in this Choral Eucharist are hymns sung by the congregation and choir, additional music sung exclusively by the choir, lessons, prayers, a sermon, and a Rite I Mass. All baptized Christians are welcome to receive Holy Communion. Details of the service may be seen in the leaflet, which is posted at the bottom of this page a few days prior to the service, where you will also find links to the webcast during and after the service.

‚ñ∫Following today’s Choral Eucharist, the EMC Committee hosts a special EMC Coffee Hour in Andrew Hall. Come hear the EMC Singers give thanks in song for all those who have pledged to the 2013 Every Member Canvass. Join them here.

‚ñ∫Also following the 11am service today, the Choir School boys are holding a bake sale. Proceeds from this event will benefit the school. Please stop by the reception area of the Parish House and support our choristers in their endeavors.

Music notes: Josef Rheinberger was born in 1837 and died in November 1901. He was one of the most prominent German organists of his time and was renowned for his teaching of composition (holding the post of Professor at the Munich Conservatoire for nearly 35 years). Described by a distinguished contemporary as ‘unrivalled in skill, refinement and devotion to his subject’, his prolific output includes concertos, oratorios, chamber music, opera and, amongst his considerable contribution to the organ repertoire, a remarkable 20 sonatas. The Cantus Missae is a setting of the Mass for unaccompanied double choir which combines intricate polyphonic writing with homophonic declamatory gestures, thus creating a characteristically Germanic texture of warmth and richness.


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